maandag, juni 07, 2004
In de kersverse juni-editie van The Digital Journalist een artikel over Richard Avedon en een terugblik van voormalig Life-redacteur John Morris over het verloren gaan van Robert Capa's foto's (op elf na) van D-Day. (Gisteren vertelde Morris ook over deze kwestie op CNN.)
I ordered the Life darkroom to "rush, for Godssake." A few minutes later a lad from the darkroom rushed, almost hysterical, into my office, screaming "the films are ruined. Ruined!" He explained that he had hung them in the locker which served as a drying cabinet, normal practice, but because of the rush had closed the doors. There was too much heat; the emulsion melted. I ran back to the darkroom with him. I held up the films.. Nothing but gray soup on three of them. But on the fourth there were eleven discernible images.
Ook in The Digital Journalist: De Nikon D70 wordt aan een kritisch oordeel onderworpen, dat positief uitvalt.
I ordered the Life darkroom to "rush, for Godssake." A few minutes later a lad from the darkroom rushed, almost hysterical, into my office, screaming "the films are ruined. Ruined!" He explained that he had hung them in the locker which served as a drying cabinet, normal practice, but because of the rush had closed the doors. There was too much heat; the emulsion melted. I ran back to the darkroom with him. I held up the films.. Nothing but gray soup on three of them. But on the fourth there were eleven discernible images.
Ook in The Digital Journalist: De Nikon D70 wordt aan een kritisch oordeel onderworpen, dat positief uitvalt.
# posted by Jan-Edward : 08:12
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